ANTHONY ROBINSON

 

                                     



THE IDEA OF “IDEA” AGAINST THE BANKS OF A GREAT LAKE

 

 

Family becomes a notion unchecked, uninked.


A family is caught, yoked in a tree, a big tree. A tree of some ambition & breadth.

White border surrounds, surmounts, absorbs the surfeit of wavy lines.


Reducible by half. Reducible to 5 x 7.

Family as math problem. Solvable for ( ).

Idea of the word problem: world collapses again into fangs.            Dead maples fugue off summer,
concise crystalline stasis, more like an adjunct to next year.


Back porch completely under ice & the family looks like this:   [  drawing here  ]

                                   or like this:   [  drawing here  ]


The blue line in this notebook is something like a third rail
that someone is consistently falling off

repeated until underlined one too many times; emphasis becomes dismissal.

Family as ahistorical factoid:

Come armageddon                Come together               Come away, little subtrahend


Omissions are not omissions.

//

 

+++

 

SHE SCOURS THE RUGGED LANDSCAPE FOR “CULTURAL MARKERS” & MEDICAL MARIJUANA

 

I am doing the best work of my life:

Spanish ships sailing westerly confront a warm front & commit an affront to browner folk.

Always interested in what they call folk etymology; this word doesn't mean this word as much

                       as it means a wide aperture whence

“hums come.”                                              “bums come.”                                                          “rom-com.”


*

Smoky & unlike that font: we've discussed a flattening, we've underscored
disjunctiveness.         Performance is not art, really.         Performance fantasizes,

infantilizes itself.


I can hear the foghorn whistle blowing but I won't be coming home—

*

The last soldiers left today

             against the woman in the hot-pink blouse standing outside her brownstone watching the man of the year
walk by which was in fact a tightly wound coil of copper wire but with chanting

among them, writers

one of whom slept with once          one of whom read under the covers            always the dust jacket


The soldiers are coming home but we're not sure what that means.
Not sure what it means in front of this wood stove

it should feel like home

it should feel like something, a priori,

spineless


//

 

+++

 

LOOKING FOR A WAY OUT



Despises unfettered intellectualism.

Plays well with others.

Is good with children.

Wears felt garments & displays a certain jauntiness.

*

These roads are pocked with pocket-sized disappointments; I remember them well. My small other has never been here, never seen the asphalt I grew up walking, loathing.

*

Trying to find a sly opening into another generation; trying to regenerate youth—that's what it's really about, right?

Stop signs tilt themselves toward chain-link fences, aluminum cans, plastic bottles, wild bouquets of sun-tarnished Queen Anne's Lace.

*

Gateway to Recreational Paradise.

*

“I'm not happy & I'm not sad” which is worse than being happy or sad.

*

Court-ordered.

Filleted.

Pasteurized.

Still living the “other Latino experience.”

Falling so hard backwards, all vision disappeared. All life. All life.

As the past participle, having lost all specificity.


//

 

 


 

                                                                                                      

 

      

 

                                   

 

 


TYPO 19